How to Read the Waveform
1. The Color-Coded Audio Path When using a compression visualizer, you will typically see three distinct elements:
- Green Waveform: This represents your original, uncompressed audio.
- Blue Waveform: This is the result of the compression, showing how the audio has been reshaped.
- Red "Blob": This indicates the gain reduction, or exactly how much volume is being taken away at any given moment.
2. Visualizing the Threshold and Ratio
- The Threshold: This is the placement control. As you lower the threshold line, the compressor begins to "chop off" the green peaks, turning them into a blue, compressed signal.
- The Ratio: This is your squeeze control. As you increase the ratio, the blue waveform is smooshed closer to the threshold line, causing the red gain reduction blob to grow larger and more aggressive.
3. Attack and Release: Shaping the Envelope Contrary to common myths, attack and release are rates of change, not delays.
- Fast Attack: Visually grabs and turns down the peaks (transients) immediately.
- Slow Attack: Allows the initial green spike to pass through "unharmed" before the blue compressed waveform kicks in.
- Fast Release: The compressor lets go immediately after a peak. If set too fast, it can cause "pumping," where you see and hear the audio unnaturally "dip" and jump back up.
- Slow (Long) Release: This setting (defined as 500ms to 20 seconds) keeps the compressor active for a longer duration. Visually, the red gain reduction blob stays on-screen longer and eases off slowly. This is more transparent because it preserves the original shape of the waveform while lowering the overall volume.
4. The Peak and Valley Technique To understand what you are seeing, use the mountain range analogy.
- The Peak (Transient): The loud, sharp moment at the start of a note.
- The Valley (Sustain): The quieter, ringing part of the note that follows the peak.
- Makeup Gain: Because compression makes the peaks quieter, we use makeup gain to turn everything back up. Visually, this raises the blue "valleys" so they are louder and thicker than the original green ones, creating a more consistent sound.